gilesku records is back with two eccentric minimalistic techno tracks delivered by onur ozer. obviously heavily influenced by peak hours in the club, these tracks will serve their purpose right, providing a perfect hook to drive people further in a higher state of consciousness. by paying close attention to detail, he manages to provide music where he bravely paints fat techno sounds with minimalistic elements, layering them by unconventional noises in the background. a peak time material!

limited edition - 200 copies only! vid vai delivers three deep, melodic and nostalgic tracks, gently incorporating modern elements with old school sounds. suitable for contemporary berlin/hamburg deep house music fans. uffe, the new electronic music genius, honors us with an amazing remix.

been a long time since we ve heard anything out of miami like this! producer greg beato follows up his blazing ep for funkineven s apron records with another killer three tracker....serious shit, 100% tip!beato somehow just knows how to get it right combining all the crucial electronic elements, creating three absolutely monsterous tracks that will crush the dancefloor. sure it s been said before, but the music does the talking and this ep is a pure unharnessed example of such. guaranteed to be in every djs bag this summer. further proof it s game over for weak watered down dance music.

the release kicks off with title track find my way which features exciting young vocalist, ria morans heartfelt tones. cade opts for swinging 909 drums and a hooky bass-lick as the driving force, while morans voice sporadically eases in and out of the groove and understated chord stabs and tension building strings fuel the musicality, resulting in a classy, deep-house workout. up next is dr. fox, embracing a similar deep, contemporary house aesthetic, with saw-wave bass hits, cosseting pads and hooky vocal snippets acting as the fundamental elements of the cut, cade then plays on subtle variations in the groove throughout its near seven minute duration, to maintain an evolving dynamism and enticement. entering the latter half of the single we have ghostryder up first, cade opts for a more upfront approach this time, bringing busy drum programming to the forefront, alongside sweeping synth tones, a tom-driven bass line and dubbed out vocal licks.

first up sees the new methodology track in full on dance floor assault mode - serious break-fuelled techno with rolling drums, off beat funk elements and big stabbing chords moving in and out of fx laden atmospheres at a fairly furious pace. the b side introduces yet another incredibly talented producer from the iridite stable - mike singleton is a regular dj at glasgow s internationally famous monox club as well as being one of the chief tech-heads and all round music know-it-alls at rubadub records. his track here will appeal to anyone who likes to be genuinely shaken up by a track - it s got the lot - cutting edge production techniques, heartfelt melody, intricate and complicated programming, bassline turning and twisting almost inside out, fantastic fx, but most of all >the funk<! methodology round things up with another mutant house/techno hybrid track - all shuffly percussion, filtered samples and a mournful, string laden climax, layered with weird bleep-ing riffs and super-sub bass

limited nice price action
- enemy records artist decimal returns, offering the second release in his imaginative impulse control series. picking up where impulse 1s obscuro left off, main molecule experiments with mixing and synthesizers to explore new modes of climax and sustainment. an upbeat tempo and playful use of vocal samples and varied clanking percussion elements make this is a sure fire crowd pleaser for peak time sets. vitruvian lamb, a minimal techno piece with a bubbling groove, has an eerie breakdown where little more than a single chord rises and falls to build tension, captivate, and create a kind of subdued intensity, the perfect fuel for the afterhours fire

miles sagnias british bastion of deepness, aer, returns with the life ep, which sees the label foray into fresh territory. tokyos tomi chair opens proceedings with a sharp piece of deep techno called sunstroke which is as uplifting as it is tough. si tappenden appears next under the newly established ourra alias, contributing the dawn acid driver marine morning which is an inspired piece of dancefloor poetry. finally rounding off the ep is miles sagnias ~elements~. after years of experience as one of the uks finest underground djs, sagnia is on point once again. a beautifully emotive track, that pulls on the heart strings and exhibits a serene gentility that works alongside the rhythm

following on from releases for pomelo and pal sl, ld nero makes a welcome return to trelik, the label that unveiled the project back in 2011. detroit house flavours lace >als ik kan<, as a bleepy synth loudly sounds on the off beat over short stabby chords and shuffling drums. a summery, rhode uplifting house track awaits in >the feel< while a loose > i m burning< almost sounds like ld nero has each of the tracks elements placed on a separate turntable - making sure to keep them beat matched and aligned.

- signed to rebirth, the original has been mixed and remastered for a proper single release in 2013. incl huge andrés remix
- detroit underground hero andrés combines elements of soul, hip-hop, broken beat and house music. his vintage tape-worn groove,

melodram recordings is back with this new 4 track epwhich includes 2 original tracks and 2 remixes by our homies natan h & ene! soul thing is an exercise for brain dancing. a deep introspection based on an hypnoticassortment of cymbals, snares and other infectious elements, like those incisivemelodies, to create some house-disco and low techno. a slow tempo that lets you listen to each instrument separately. academic snare rumblesfrom analog drum machines, strong paces and much depth that perfectly fit with melodram. enjoy!

meditative, absorbing dance music in true moritz style — at times seemingly transfixed by its own elements, and minimal almost to vanishing-point, but quickly back ticking, kicking and amassing, with the lethal dubwise density of the classic berlin sound. twelve minutes long, trenchant and forbidding but sharply alive, the dub itself is a kind of deep fort-da gambit which scoops your brain out for a quick sluice, before replacing it slightly skewiff. dont drop your guard because of the tresor.

with the track *time machine*, dj and producer michael nielebock provided us with a fantastic debut on our deep circus label. his first success came for the berlin resident with the track pure visionson the treibstoff label, which entered the charts and the record cases of many international djs. his productions all are characterized by a driving groove, mixed with spherical elements, strings and synth-sounds. with *time machine* he also managed to bring this mixture to perfection in cooperation with his studio buddy leevey, thus creating a track which will make the day and caress the ears of many outdoor dancers this summer.
the second track on the ep is a wonderful remix by burak sar aka sis, who recently released his second album *confidance* on his label cocolino. the sis remix stays close to the original track, but reduces the spherical sounds and puts a greater focus on the basses, resulting in a great piece with a lot of deepness. nice!

the second release from swedens tommy awards is another essential 4 track ep. side a continues from where the first ep left off, with two tracks of blissful balearic vibes. if you liked land of lights recent release then this should definitely appeal to you. side b reveals another side to tommy awards and shows the guys are no slouch when it comes to producing in the electronic realm, employing vintage synths and drum machines to create gale force, the ballad of the wind. for the final track, is it balearic head honchos coyote take on the difficult task of remixing last years classic, blind andy, and come out victorious, adding elements of acid and making the track altogether deeper. is it summer yet?

following up his groovin ep, french house producer kool vibes releases his second ep, time & chances, for his own kv label. stepped rhythms, phased hats and soul-grunting vocals in *get u down* make for a lush and playful take on four-four french-tipped house, while *high up* features short sustained rhode stabs and 90s vocal shouts. *time & chances* is a little rougher in its musicality and drum processing, adding some jazz elements, whereas traditional house combos come to the fore in *something i m feelin*, as chords and crashing hats lock in and out of each other with electric flow.

from the soul-stirring opening strains of ex friendlys sublime start to the people are looking at you imprint, it is clear that the emerging nottingham-based producer has a gift for music that travels further than mere surface physical response. in a scene littered with disposable vocal turns, the simple poetry of rich medinas narrative that runs through journeyman resonates perfectly with the yearning strings and low-slung, bass-rich groove that come to define this exquisite approach to deep house. jonno & tommo hone in on the more rhythmical elements with their own dub of journeyman as a clearer club-ready intent meets with the psychedelic potency of the aqueous sound effects and that ubiquitous string hook. whether reaching for a more meaningful dimension to add to a set, or to simply drift away on the cradling nature of the music and its message, it is clear from the outset that this is music built to last.

this ep on memento records sees alfonso leon take his production skills to the next level. vinyl compresors soulful melodies and tribal percussions are matched by a deliciously funky and luscious bass line, until acid synth stabs open the way to a low-pitched, creepy, almost manic dark vocal that crawls along the groove.
fabrizio maurizis unique taste resonates hugely in his remix: a computerised, robotic low frequency bounce underpins a loopy rework of the dreary vocal, bringing its more rhythmical and human elements to the fore, marrying them to the relentless beat. outstanding works, both tracks.

you would think it would get harder for wilson head honcho, fabio monesi to keep achieving the same level of refinement with each release he puts on, but truth be told is that he simply just glides right over it with the third part of the spectacular underground warriors. bringing on the heavy weight all-stars fabio monesi, transitive elements aka enrico mantini, james johnston, upswing project aka alex agore the 90s revival movement ...

dark maneuvres is a track which lives up to its name, the original expressing pumping, dark and crunchy sounds interspersed with string arrangements and overdubs which move the track in various different directions. the 1996 original is a great example of some production techniques of the time and is of interest in identifying the direction of the techno sound in that era, as well as being eminently listenable. slam were very much involved in the progression of techno at the same time as envoy was creating tracks such as dark manoeuvres and as such they have a real handle on how things have evolved, enabling them to bring a classic release such as this bang up to date. the distinctive hook, attention-grabbing melody and strings which are distinctive elements of the original are all incorporated in a full and fresh dynamic which sees some of these elements regrouped in individual sections such as the strings or moulded with deeper, darker resonance into a new expression.

similarly, this compilation is all about that - bringing interesting elements together. i have invited producers that envoke that magic within me. they have all touched my soul. great music is just like happiness, its only real when shared.

3 tracks inside and outside the tradition of classical scores and synphonies usually divided into 4 times, where elements of the composition are back with a deep or shallow drama. the sounds of heavy techno and rough hardcore are slowed down in a minimalistic and environmental casing. atmosphere and climate are counterpointed by a vision and historical journey that fuses and confuses the machines with the meat: replaces and softs the sincopatic moments of time that is missing. bruit as a psychic disorder and a lack of physical stability, phonies as futile attempt at harmony and empathy.

nice price deal !!! >whatever you say<, is a sexy tapeworm, that keeps rolling, triggered by its sensual bassline. a track that has no beginning and no end, but you could call a friend. hanne & lore have remixed whatever you say and whoever follows what they do, you never know what they come up with, but you can expect its going to be dead cool.the guys are magic in the way they bring together different elements, genres and create monster tunes. here hanne & lore have come up here with a dub version working with wonderful tape delays shaping a nice loose and deep traxter that puts a smile on your face

two giants in dance music, totally enormous extinct dinosaurs (aka teed) & eats everything, join forces for a beast of a release on crosstown rebels. the exclusive track on the forthcoming get lost vi mixed by teed, lion, the lion is a ferocious dance-floor destroyer with a crackling, tough exterior pierced by rave fx and suspended by deeper elements creeping into the mix. remixes come courtesy of dutch producer and 4lux boss, gerd, who turns in a more swinging and suitably bass heavy sub-tech mix with added synth-line as well as a deep dub version.

echocord colour025 is produced by a good friend and a new artist on echocord colour, lasse buhl from copenhagen. after some years in the techno scene as one half of the group northern structures, who releases on adama x label sonic groove, lasse buhl releases his debut ep r38 on echocord colour, inspired by roughness and simplicity. the remix comes from no other than milton bradley from berlin. the r38 track ia a driving, stomping, dry killer techno track, while em.a ai is a more experimantal breaky track, with dubby elements. the remix is a pure 4/4 techno track, a typical milton bradley peaktime production.
pressing on pink coloured & marbled vinyl.

on the original one, a decadent intro with swishing reverse cymbals, create like a perfect countdown for the incoming hypnotic melody. these two elements, along with a deep half-step beat, continue their propagation for the whole track, made with a certain dose of style and precision.
the real explosion comes with the acclaimed remix made by artikal (j:kenzo & mosaix) who have masterfully dubbed out the version increasing the kicks, making a real runaway hit, already played and supported by many djs as youngsta and amit on rinsefm.

gravetemple was formed in 2006 as a side-project of the band sunn o))) by oren ambarchi, stephen o malley and attila csihar. the group formed initially to tour in israel summer 06, creating several recordings which eventually became the holy down album, which was released on southern lord recordings in 2007. at the time of the israel tour, the lebanon war started and was in action. in summer 08 the trio reformed together with the addition of australian drummer matt skitz sanders for a short european tour culminating at a headlining performance at supersonic festival in birmingham. in late 2009 the original trio reconvened for a special one-off concert at londons institute of contemporary arts. april 2013 marks the first set of live action since that period, and a new chapter in the ongoing system of the related network.
ambient/ruin was created with the 2008 quartet, elements of tape collage, concrete, field recordings blend within a strong geographically diverse (parts were recorded in japan, australia, paris and israel) suite of heavy minimalist/maximalist music, black/death metal and drone. the culmination of these efforts become the music, literally, of sadistik exekution meeting phill niblock.

one of the scenes true veterans, justin richardson aka genotype has released music over his career on a who is who of the most influential drum and bass labels including reinforced, moving shadow, renegade hardware, & of course dbridges exit records label, who released the debut genotype artist lp ritual dance in 2010. lessons in depth sounds like no one else in drum and bass right now, and truly lives up to its title fusing multiple musical elements into one deep sea musical experience. this is not a collection of instant gratification dance-floor tunes, and like all truly good music, lessons in depth is most rewarding after the listeners full immersion. don your mask and snorkel and dive in.
pressing on transparent dark green, black marbled vinyl. download code included.
dj support from dbridge, spectrasoul, doc scott, bryan g, john b, loxy, consequence, clarity, btk, hybris, c4c, ruffhouse and more.

revivra is back on gamm with two seriously well produced re-edits (or remixes?) on the soulful boogie tip. just like last time this is just not some quick 5 min fixes but hand crafted reworks that takes the original tracks to the next level with loads of added live elements. the a-sides take on midways set it out is so good it almost makes the original sounds like the remix. with a beautiful live string intro it explodes into a proper boogie winner that easily could have been produced by any of the big producers from late 70s. on the flip revivra goes back to his deep love for marvin with +11 min excursion of mercy mercy me. epic is an understatement!

one of the scenes true veterans, justin richardson aka genotype has released music over his career on a who is who of the most influential drum and bass labels including reinforced, moving shadow, renegade hardware, & of course dbridges exit records label, who released the debut genotype artist lp ritual dance in 2010. lessons in depth sounds like no one else in drum and bass right now, and truly lives up to its title fusing multiple musical elements into one deep sea musical experience. this is not a collection of instant gratification dance-floor tunes, and like all truly good music, lessons in depth is most rewarding after the listeners full immersion. don your mask and snorkel and dive in.
pressing on transparent dark blue, black marbled vinyl. download code included.
dj support from dbridge, spectrasoul, doc scott, bryan g, john b, loxy, consequence, clarity, btk, hybris, c4c, ruffhouse and more.

claus voigtmann makes his vinyl debut on lisbon’s assemble music, applying the same high standards to his productions as he does to the toi toi parties he co-organises in london. in fact, you can imagine ‘spin’ greeting you on arrival in a moodily-lit shoreditch basement, its growling interplay of bass and kick drum instantly familiar and pleasurable. the plunging bass and pinpoint kicks of ‘junago’ bring to mind the refined soundspaces of peter ford or ‘the au harem’-era villalobos. it’s the kind of track that comes into its own the later the night gets, and just as the elements interlock then writhe apart from each other you can imagine the dance floor doing the same.

droid recordings presents a new 12 inch from dj hyperactive, whose jacking chicago sound has evolved over the years into a deeper sound that maintains his signature infectious drive. on 25 hours, an undulating, bassy synth line builds into the machine-voiced partiers dream of 25 hours in a day, before the track takes off with neck-breaking snare and clap combos and proceeds to rebuild. raíz pulls the track from the depths to deliver something more brash and energetic. there is more at play here, with the 3-note riff tweaked throug the tracks duration, and the words 25 looped through a series of insistent, smashing snares. in the final mix, newcomer markus suckut follows his recent remixes of xhin and pfirter with an unexpected and idiosyncratic interpretation. tonal elements are drawn into the lower registers, while the vocal sample slithers around the mix. the syncopated elements of the original surface with in an alternative mode, dark and driving.

877 records join with longtime friends and collaborators to present the well rounded rebel alliance ep. klic and riskotheque lead the way with their track compton, a bass heavy anthem already rocking the clubs and doing damage on radio. stomping 808&#8242,,,,,s, sing along vocals and acid arpeggios join perfectly to form this instant classic. donga & blake more than do justice to the original with the compton give a dam jam remix. a perfect example of their sublimely considered approach, the reworking is an altogether deeper four to the floor roller using only finely selected elements from the original. well rounded in the house! next up is skeleton grin by donga & blake + richta. this original composition features vocals by donga over an intense and metallic techno-esque bass and kick. we are true believers in the power of a b-side and this is no exception.

a surreal spark of darkness slowly awakens a monstrous tune that becomes more radical by the second. with soundscapes taking serious shapes, the emotion actually comes from deep within: pointing out to infinity. desolate is a hazardous mixture of sick, twisted growls taking extremely unique forms, sub-driven resonating basslines and spacious soundscapes, which bound you to darkness instantly. as the intriguing second part of desolate flows through the mind and soul, no listener is left unharmed as it sweeps you away from reality. with further developed harsh, sharp percussive elements and frightening samples to accentuate this cold production, desolation will become a step closer each and every time you lose control.

chris spero (otherwise known as uk house and techno producer glimpse) and hypercolour co-founder and producer, alex jones, return once again as dense & pika to the hotflush fold with move your body back. having crept out of the shadows back in 2011 with a collection of white labels released through their own eponymous imprint, dense & pika went on to bolster their rising profile with the release of their hotflush debut (crispy duck) which landed late last year as well as with their memorable live set at hotflushs recent boiler room takeover. there is nothing chin-strokingly complicated or needlessly over-worked about their productions. they make interesting techno aimed at the dance floor and move your body back continues with this central aesthetic. the three track ep plunders percussive depths by way of stern machine rhythms, swollen low-end grit and the echoing, anthemic elements of warehouse rave techno. the title track of the ep may already be familiar to many having appeared on their resident advisor podcast in march and is already being played out by maya jane coles, boddika and adam beyer, amongst others.

a heavy lead rhythm provides the foundation from which spiralling elements project. they coruscate, pulse with light and collapse inwards, until just the echoes of dub2 are left. rising from these depths, the sharpness of distribution theorys crisp hi-hats and snapping claps provide forward momentum to a series of stabs. the house element.
beginning as a mystery but ending as a certainty, the ethereal theme that opens untitled document gives way as it increases velocity, shaking and rattling under the strain. the apex. hands reach, seeking, the elusive moment has already passed, all left is pure. bliss. circumflex kicks hard, a final statement of intent. powerful. corrosive. this is late night techno, played over a system on which the squelching acid-lines converge within the mind. the body jacks.

here we present good vibrations, the debut ep on local talk from canadian producer orazio fantini. the best thing with this ep is that it is simply straight up house music that is both deep yet raw and funky all at the same time. basically, its very local talk ,) first track, to the ball, starts off with a bubbling bass line, followed with shuffling hi-hats and swinging beat that is glued together by glistering synth stabs, infectious to say the least. turn the record over for feel it, which showcases fantinis clever use of vocal samples blended together with the perfect swing and last not but not least, on hold is a stripped track but with all the necessary elements to make the feet move.

is it balearic return with an absolutely superb ep from new signings saint petersburg disco spin spdsc are a collective of live musicians and djs from russia this is their debut release for iib, but a handful of tracks on labels like glenview & teardrop have made serious waves - skillfully combining live disco musicianship with the dj sensibilities which shape their sound. from club friendly and hooky dancefloor tracks to blissfully executed downtempo jams. all pulled off with a loose but pin sharp production style that really makes them stand out i never leave you leads on the a side, a steadily assembled sunset workout, with brass elements defining the groove. marwencol manages to deftly pull off a balearic wu-tang move, whil love spin is a beautifully lolloping beach bar jam, which comes complete with a very dubbed-out dub version too.

hafiza innocenceis olugbenga’s debut release. having built a following djing at festivals and clubs worldwide, crafting remixes and producing mixtapes, olugbenga’s music draws on elements from techno, gospel and the claustrophobic soundscapes of post-rock.

back in december 2012 we brought you the sounds of the unheard from our romanian ambassadors future nuggets. the compilation gained plaudits from across the globe and was even named by andrew weatherall as one of his compilations of the year. steaua de mare featured heavily and the band was instantly noted for their smokey psychedelic sound. their unique sound comes from many directions. they bring elements of prog, dub, psychedelic rock and contemporary gypsy music (manele) mainly from romania and bulgaria into the mix.

africa friends is a tribal-inspired tech-house track with a lot of driving elements. the remix of yapacc however is rather a remixer typical interpretation somewhere between funky minimal and melodic techno. another centerpiece of this ep is the remix of quenum, who founded the imprint cadenza along with luciano a few years ago. as a small gimmick nicolas duvoisin serves an additional groovy track called people dance.

a side with trippy techhouse vibes and b side comes with an outstanding bouncing acid house killer. halla lada, the debute ep from fulast, is a symbolic expression as well as a figure of speech of doing something inappropriate or just being loud. halla lada is a two track vinyl, pumping house with elements of acid.

vinyl only, 180 gramm pressing, red vinyl and strong limited. this release is for every deeply packed record bag. primary >colours< is proud to follow up their blue release with another fantastic, limited, vinyl only treat. echo inspectors, ‘ghost flight’, is chosen for the red release in this 3 colour series. with a philosophical notion, ghost flight is an eclectic journey into deep, dubby techno. this scratchy, stepping, techno groove is surrounded by rootsy elements accompanied by superb bass. the delayed, washy elements and soul grabbing overtone are all superlative in aggregation – >a spirit of an age to which no one can return.<
salz dub has certainly salted up the flavor on this release. with their unique signature of swinging dub tech they deliver a faithful yet revived edit of >ghost flight<. this track sucks you in for the whole journey! the infectious groove, vocal edit and drop are nothing short of fantastic.

leftymood records is an italian label based in milan, born from the minds of danny deep, chris carini and alberto ampezzi, three artists with very similar musical background but with different artistic evolution. and these three artists make also the debut of leftymood records. dannys track is a trip through different electronic genres that range from indie and deep with creative acid synth sounds. perfect for a more sophisticated audience. ampezzis unconditional is made up of percussions, drifty ipnotic beat and marvelously deep groove that push an unconventional raw energy. suitable for underground situations. chris carini presents his track introducing techno groove with house elements like classic piano and voices that will burn the dancefloor in every moments in a dj set... first pressing ltd to 200 copies

vinyl only. 500 copies. french vinyl-only label latency comes back this spring with joey anderson. the former dancerand great house producer from new jersey gives us dark and melancholic vibes carefully combined with groovy motions and classical dance music elements.

one of the most original and popular artists of the current deephousescene, kolombo has gained a huge following reflected in countless gigsall over the planet. fusing elements of funk, house and hiphop, his off-debut is a trademarkproduction

following on from his long awaited album ku:palm in november of last year, we now see its lead track pyramid get a vinyl release on photeks own label, photek productions. the eastern instrumentation and spacey beats may not be apt for every dance floor, but for fans of modus operandi era photek, pyramid is an essential tune. on the flip we have oshun, another track from ku:palm this time remixed by beneath, a producer that began making waves last year with a series of 12 inches on his own label, no symbols and a cracking mix for fact mag. he has gone on to release the illusions ep on dusk & blackdowns keysound recordings, as well as a 12 inch on pinchs influential tectonic recordings. mixing the darkest elements of funky, dub and syncopated grime with a distinctly uk edge, beneaths complex layered beats result in a truly unique sound that is a perfect matched to remix fellow experimentalist photek. a young producer that clearly knows his shit, beneath is a breath of fresh air.

emotional rescue is proud to reissue one of germanys best - if most underrated - collectives dunkelziffer. formed of dominik von senger, reiner linke and helmut zerlett, the floating line up also included contributions from cans damo suzuki and jaki liebetzeit, as well as the unknown cases stefan kratchen and reebop kwaku baah. this true supergroup, over a 6 year period, made 4 ground breaking albums that covered the classic krautrock blend of heavy, repetitive drumming, intricate, overlapping melody and sonic intonation, but expanded it to include heavy dub, soul and jazz elements. this special retrospection obi set is being issued as part of record store day and features the three 12 inches that will later be released individually.

limited 200 black vinyl pressing in custom brown record jacket with black inner sleeve.
the deeply layered rhythms and atmospheric elements that refracted shows across the four tracks on along a ghostly trail make a perfect match for silent season, as the berlin based newcomer joining some illustrious company in the shape of stl, djorvin clain and edanticonf in contributing to the canadian labels rise. clouds of sub bass meld rhythmically with the stripped back percussive lilts of enlightenment as they traverse a scenic back drop of textural atmospherics, whilst the title track is similar in tone if imbued with a spectral feeling that justifies the name. contrasting this, both oo-koo-he and hyperdimension are gloopy bassline lead arrangements that slowly swell around the senses.

cork label basic grooves keep the focus on irish talent for their fifth release as label boss shane linehan welcomes his namesake bambrick into the fold for some well judged, atmospheric deepness. the process finds the waterford based producer veering through dark, heads down terrain though the dubby elements are complemented by a woozy melodic melancholy thanks to the gentle chords that spread out. linehan maintains the basic groove momentum on the flip with a remix that is more stripped back, lending those chords some glowing incandescence, whilst the percussion swells with sweet intensity as it progresses.

after the killer release by marco shuttle vidd is back after a long silence with their 2nd release. a special release from somebody who has done a lot in a very short time: gw from stockholm. surrounded by mystery and simplicity, hurry up demonstrates both power and heft with few elements. the driving force builds a tension which really doesnt reach a peak, something that the locked groove vocal manages to balance perfectly. the energy is constant and keeps things interesting. the b-side starts off with runaway, a chicago-resembling funk track that reflects the 90s tradition and the new digital age. tonight closes the doors of this release and the closing lights come on, it is time to go home.